The bestselling classic and masterpiece of psychological fiction
'The greatest psychological thriller of all time' ERIN KELLY
'The book every writer wishes they'd written' CLARE MACKINTOSH
'Excellent entertainment . . . du Maurier created a scale by which modern women can measure their feelings' STEPHEN KING
On a trip to the South of France, the shy heroine of Rebecca falls in love with Maxim de Winter, a handsome widower. Although his proposal comes as a surprise, she happily agrees to marry him. But as they arrive at her husband's home, Manderley, a change comes over Maxim, and the young bride is filled with dread. Friendless in the isolated mansion, she realises that she barely knows him. In every corner of every room is the phantom of his beautiful first wife, Rebecca, and the new Mrs de Winter walks in her shadow.
Not since Jane Eyre has a heroine faced such difficulty with the other woman. An international bestseller that has never gone out of print, Rebecca is the haunting story of a young girl consumed by love and the struggle to find her identity.
'Rebecca is a masterpiece' GUARDIAN
'This chilling, suspenseful tale is as fresh and readable as it was when it was first written' DAILY TELEGRAPH
Some books change lives. This is one of them . . . It has the drive of a thriller but the imagery of a romance . . . This is a book that is hard to set aside; it demands to be read late into the night with eyes burning and heart racing - Val McDermid
Now a hugely acclaimed, six-times Oscar-nominated film by Todd Haynes, starring Cate Blanchett and Rooney Mara.
Therese is just an ordinary sales assistant working in a New York department store when an alluring woman in her thirties walks up to her counter. Standing there, Therese is wholly unprepared for the first shock of love. She is an awkward nineteen-year-old with a job she hates and a boyfriend she doesn't love;
Carol is a sophisticated, bored suburban housewife in the throes of a divorce and a custody battle for her only daughter. As Therese becomes irresistibly drawn into Carol's world, she soon realises how much they both stand to lose . . .
First published pseudonymously in 1952 as The Price of Salt, Carol is a hauntingly atmospheric love story set against the backdrop of fifties New York.
By the author of The Handmaid's Tale and Alias Grace
Toby, a survivor of the man-made plague that has swept the earth, is telling stories.
Stories left over from the old world, and stories that will determine a new one.
Listening hard is young Blackbeard, one of the innocent Crakers, the species designed to replace humanity. Their reluctant prophet, Jimmy-the-Snowman, is in a coma, so they've chosen a new hero - Zeb, the street-smart man Toby loves. As clever Pigoons attack their fragile garden and malevolent Painballers scheme, the small band of survivors will need more than stories.
'She wrote exciting plots, she was highly skilled at arousing suspense' GUARDIAN
'This novel catches fire' NEW YORK TIMES
'With unfailing du Maurier skill, the author has coupled family interest with dramatic sense' ELIZABETH BOWEN
She set men's hearts on fire and scandalized a country.
In Regency London, the only way for a woman to succeed is to beat men at their own game. So when Mary Anne Clarke seeks an escape from her squalid surroundings in Bowling Inn Alley, she ventures first into the scurrilous world of the pamphleteers. Her personal charms are such, however, before long she is noticed by the Duke of York.
With her taste for luxury and power, Mary Anne, now a royal mistress, must aim higher. Her lofty connections allow her to establish a thriving trade in military commissions, provoking a scandal that rocks the government and brings personal disgrace.
A vivid portrait of overweening ambition, Mary Anne is set during the Napoleonic Wars and based on the life of du Maurier's own great-great-grandmother.
WINNER OF THE PULITZER PRIZE FOR FICTION and THE NATIONAL BOOK CRITICS CIRCLE AWARD
AN OPRAH'S BOOK CLUB PICK
In 1956, towards the end of Reverend John Ames's life, he begins a letter to his young son: 'I told you last night that I might be gone sometime . . . You reached up and put your fingers on my lips and gave me that look I never in my life saw on any other face besides your mother's. It's a kind of furious pride, very passionate and stern. I'm always a little surprised to find my eyebrows unsinged after I've suffered one of those looks. I will miss them.'
'A visionary work of dazzling originality' ROBERT MCCRUM, OBSERVER
'Writing of this quality, with an authority as unforced as the perfect pitch in music, is rare and carries with it a sense almost of danger' JANE SHILLING, DAILY TELEGRAPH
'A beautiful novel: wise, tender and perfectly measured' SARAH WATERS
'A masterpiece' SUNDAY TIMES
A gentle romance begins innocently enough in the stalls of a London theatre where Catherine is enjoying her ninth and Christopher his thirty-sixth visit to the same play.
He is a magnificent young man with flame-coloured hair. She is the sweetest little thing in a hat. There is just one complication: Christopher is twenty-five, while Catherine is just a little bit older. Flattered by the passionate attentions of youth, Catherine, with marriage and motherhood behind her, is at first circumspect, but finally succumbs to her lover's charms.
The engaging humour of this autobiographical novel blunts the bitter edge of irony in the hypocrisy of 1920s society.
Lila, homeless and alone after years of roaming the countryside, steps inside a small-town Iowa church - the only available shelter from the rain - and ignites a romance and a debate that will reshape her life. She becomes the wife of a minister, John Ames, and begins a new existence while trying to make sense of the life that preceded her newfound security.
Neglected as a toddler, Lila was rescued by Doll, a canny young drifter, and brought up by her in a hardscrabble childhood. Together they crafted a life on the run, living hand to mouth with nothing but their sisterly bond and a ragged blade to protect them. Despite bouts of petty violence and moments of desperation, their shared life was laced with moments of joy and love. When Lila arrives in Gilead, she struggles to reconcile the life of her makeshift family and their days of hardship with the gentle Christian worldview of her husband which paradoxically judges those she loves.
By the author of The Handmaid's Tale, The Testaments and Alias Grace
The trick was to disappear without a trace, leaving behind me the shadow of a corpse, a shadow everyone would mistake for solid reality. At first I thought I'd managed it.
Fat girl, thin girl. Red hair, brown hair. Polish aristocrat, radical husband. Joan Foster has dozens of different identities, and she's utterly confused by them all. After a life spent running away from difficult situations, she decides to escape to a hill town in Italy to take stock of her life.
But first she must carefully arrange her own death.
'A very funny novel, lightly told with wry detachment and considerable art' Washington Post
'A mistress of controlled hysteria' Time
'If you feel safe only with "nine to five" reality, you'll probably not enjoy Atwood's books. But if you'd like to lift off, try her' Cosmopolitan
Set in turn-of-the-century New York, Edith Wharton's classic novel The Age of Innocence reveals a society governed by the dictates of taste and form, manners and morals, and intricate social ceremonies. Newland Archer, soon to marry the lovely May Welland, is a man torn between his respect for tradition and family and his attraction to May's strongly independent cousin, the Countess Ellen Olenska. Plagued by the desire to live in a world where two people can love each other free from condemnation and judgment by the group, Newland views the artful delicacy of the world he lives in as a comforting security one moment, and at another, as an oppressive fiction masking true human nature. The Age of Innocence is at once a richly drawn portrait of the elegant lifestyles, luxurious brownstones, and fascinating culture of bygone New York society and a compelling look at the conflict between human passions and the social tribe that tries to control them.
'No novel about any black woman could ever be the same after this' TONI MORRISON
'Corregidora is the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of Black men and women' JAMES BALDWIN
Upon publication in 1975, Corregidora was hailed as a masterpiece, winning acclaim from writers including James Baldwin, Maya Angelou, Toni Morrison and John Updike. Exploring themes such as race, sexuality and the long repercussions of slavery, this powerful novel paved the way for Beloved and The Colour Purple. Now, this lost classic is published for a new generation of readers.
Blues singer Ursa is consumed by her hatred of Corregidora, the nineteenth-century slave master who fathered both her mother and grandmother. Charged with 'making generations' to bear witness to the abuse embodied in the family name, Ursa Corregidora finds herself unable to keep alive this legacy when she is made sterile in a violent fight with her husband. Haunted by the ghosts of a Brazilian plantation, pained by a present of lovelessness and despair, Ursa slowly and firmly strikes her own terms with womanhood.
AS HEARD ON THE BACKLISTED PODCAST
'A literary giant, and one of my absolute favourite writers' TAYARI JONES, author of AN AMERICAN MARRIAGE
Also new to the VMC list: Eva's Man and The Healing by Gayl Jones.
'An American writer with a powerful sense of vital inheritance, of history in the blood' JOHN UPDIKE
'Gayl Jones's first novel, Corregidora (1975), was both shocking and ground-breaking in its probing of the psychological legacy of slavery and sexual ownership through the life of a Kentucky blues singer ... it predated Alice Walker's The Color Purple and Toni Morrison's Beloved, revealing an unfinished emancipation and the power of historical memory to shape lives. It also marked a shift in African-American literature that made women, and relationships between black people, central' MAYA JAGGI, Guardian
'Corregidora's survey of trauma and overcoming has become even better and more relevant with the passage of time. It remains an indispensable point of entry into the tradition of African American writing that Gayl Jones reshaped and enriched' PAUL GILROY
By the author of THE HANDMAID'S TALE and ALIAS GRACE
Pigs might not fly but they are strangely altered. So, for that matter, are wolves and racoons. A man, once named Jimmy, lives in a tree, wrapped in old bedsheets, now calls himself Snowman. The voice of Oryx, the woman he loved, teasingly haunts him. And the green-eyed Children of Crake are, for some reason, his responsibility.
Praise for Oryx and Crake:
'In Jimmy, Atwood has created a great character: a tragic-comic artist of the future, part buffoon, part Orpheus. An adman who's a sad man; a jealous lover who's in perpetual mourning; a fantasist who can only remember the past' INDEPENDENT
'Gripping and remarkably imagined' LONDON REVIEW OF BOOKS
The international classic and bestseller, Maya Angelou's memoir paints a portrait of 'a brilliant writer, a fierce friend and a truly phenomenal woman' (BARACK OBAMA).
'I write about being a Black American woman, however, I am always talking about what it's like to be a human being. This is how we are, what makes us laugh, and this is how we fall and how we somehow, amazingly, stand up again' Maya Angelou
In this first volume of her seven books of autobiography, Maya Angelou beautifully evokes her childhood with her grandmother in the American south of the 1930s. Loving the world, she also knows its cruelty. As a Black woman she has known discrimination, violence and extreme poverty, but also hope, joy, achievement and celebration.
'I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity' JAMES BALDWIN
'She moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds' OPRAH WINFREY
'She was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate' TONI MORRISON
The international bestseller: a hilarious, heartfelt story of all-consuming and unexpected love
'I loved it' COCO MELLORS
'If you've ever been young, you will love The Rachel Incident like I did' GABRIELLE ZEVIN
'Funny, nostalgic, sexy' MONICA HEISEY
'Hilarious, wise and wonderfully written' GRAHAM NORTON
'Easily 13/10 . . . Funny, lovely, romantic' MARIAN KEYES
'I loved it ... had me reading with my hand over my heart' TAFFY BRODESSER-AKNER
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Everyone in Cork remembers the Rachel Incident. But what really happened? It's simple. It's complicated. It's about love, sex and friendship. It's definitely about betrayal. And, above all, it's the story of Rachel and James, two twenty-somethings who met at a bookshop, became best friends, and spent one unforgettable year screwing up and growing up.
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Shortlisted for the Bollinger Everyman Wodehouse Prize for Comic Fiction and a TikTok Book Award - Book of the Year (UK & Ireland)
'Reading it is like hearing your funniest, sexiest friend tell you the best story they know' KATHERINE RUNDELL
'Sharply witty, warm-hearted and wise' GUARDIAN
'O'Donoghue captures all the intensity of messy young love' MAIL ON SUNDAY
'A book full of love, and it is extremely easy to love reading it' VOGUE
'Chaos at its finest' STYLIST
The Rachel Incident was a #2 bestseller in Ireland in June 2023
A collection of wisdom and life lessons, from the beloved and bestselling author of I KNOW WHY THE CAGED BIRD SINGS
'A brilliant writer, a fierce friend and a truly phenomenal woman' BARACK OBAMA
Dedicated to the daughter she never had but sees all around her, Letter to my Daughter reveals Maya Angelou's path to living well and living a life with meaning. Told in her own inimitable style, this book transcends genres and categories: it's part guidebook, part memoir, part poetry - and pure delight.
'She moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds' OPRAH WINFREY
'She was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate' TONI MORRISON
By the author of The Handmaid's Tale
Now a major NETFLIX series
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
'A sensuous, perplexing book, at once sinister and dignified, grubby and gorgeous, panoramic yet specific...I don't think I have ever been so thrilled' Julie Myerson, Independent on Sunday
Beauty; beauty. What was the good of beauty, once it was over? It left nothing behind it but acid regrets, and no heart at all to start fresh.'
Approaching the watershed of her fiftieth birthday, Fanny, having long ago divorced Mr Skeffington and dismissed him from her thoughts for many years, is surprised to find herself thinking of him often. While attempting to understand this invasion, she meets, through a series of coincidences and deliberate actions, all those other men whose hearts she broke. But their lives have irrevocably changed and Fanny is no longer the exquisite beauty with whom they were all once enchanted. If she is to survive, Fanny discovers, she must confront a greatly altered perception of her self.
With the delicate piquancy for which she is renowned, Elizabeth von Arnim here reveals the complexities involved in the process of ageing and in re-evaluating self-worth.
Lucy Entwhistle's beloved father has just died, and aged twenty-two, she finds herself alone in the world. Leaning against her garden gate, dazed and unhappy, she is disturbed by the sudden appearance of the perspiring Mr Wemyss.
This middle-aged man is also in mourning - for his wife, Vera, who has died in mysterious circumstances. Before Lucy can collect herself, Mr Wemyss has taken charge: of the funeral arrangements, of her kind Aunt Dot, but most of all of Lucy herself, body and soul. Elizabeth von Arnim's masterpiece, VERA is a forceful study of the power of men in marriage - and the weakness of women in love.
A RADIO 4 BOOK AT BEDTIME, READ BY MEERA SYAL
TWO CULTURES. TWO FAMILIES. TWO PEOPLE.
A BBC 2 BETWEEN THE COVERS BOOK CLUB PICK
THE NEW INSTANT SUNDAY TIMES BESTSELLER FROM THE BOOKER PRIZE-SHORTLISTED AUTHOR OF BRICK LANE
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'Rich, sensitive and gloriously entertaining' Tash Aw, Times Literary Supplement
'An utterly unputdownable exploration of modern love' Stylist
'As engrossing and enjoyable as Brick Lane' Sunday Times
Yasmin Ghorami has a lot to be grateful for: a loving family, a fledgling career in medicine, and a charming, handsome fiancée, fellow doctor Joe Sangster.
But as the wedding day draws closer and Yasmin's parents get to know Joe's firebrand feminist mother, both families must confront the unravelling of long-held secrets, lies and betrayals.
As Yasmin dismantles her own assumptions about the people she holds most dear, she's also forced to ask herself what she really wants in a relationship and what a 'love marriage' actually means.
Love Marriage is a story about who we are and how we love in today's Britain - with all the complications and contradictions of life, desire, marriage and family. What starts as a captivating social comedy develops into a heart-breaking and gripping story of two cultures, two families and two people trying to understand one another.
'A glorious tapestry of modern British family life' Metro
'A surefire hit' Observer
'Wildly entertaining ... a bold and generous book' Financial Times
'Big-hearted, wry and tender' Harper's Bazaar
'Absolutely terrific ... genuinely touching' Jenny Colgan, Spectator
'Gloriously readable, acute, funny and sympathetic' Daily Mail
By the author of The Handmaid's Tale and Alias Grace
The sun brightens in the east, reddening the blue-grey haze that marks the distant ocean. The vultures roosting on the hydro poles fan out their wings to dry them. the air smells faintly of burning. The waterless flood - a man-made plague - has ended the world.
But two young women have survived: Ren, a young dancer trapped where she worked, in an upmarket sex club (the cleanest dirty girls in town); and Toby, who watches and waits from her rooftop garden. Is anyone else out there?
WITH AN INTRODUCTION BY A. S. BYATT
'She is undoubtedly one of the twentieth century's greatest American writers' OBSERVER
' ... a clear-eyed salute to the resilience of the human spirit and the innate hardiness of the immigrants' XAN BROOKS, GUARDIAN
'Willa Cather was a wordsmith of enormous talent' ROBERT SLAYTON, LOS ANGELES REVIEW OF BOOKS
'During that burning day when we were crossing Iowa, our talk kept returning to a central figure, a Bohemian girl whom we had both known long ago. More than any other person we remembered, this girl seemed to mean to us the country, the conditions, the whole adventure of our childhood . . . His mind was full of her that day. He made me see her again, feel her presence, revived all my old affection for her.'
My Antonia is the unforgettable story of an immigrant woman's life on the Nebraska plains, seen through the eyes of her childhood friend, Jim Burden. The beautiful, free-spirited, wild-eyed girl captured Jim's imagination long ago and haunts him still, embodying for him the elemental spirit of the American frontier.
In this powerful and astonishing novel, Willa Cather created one of the most winning yet thoroughly convincing heroines in American fiction.
'How I loved reading Fruit of Knowledge ... Clever, angry, funny and righteous, also informative to an eye-popping degree' Rachel Cooke, OBSERVER GRAPHIC NOVEL OF THE MONTH
From Adam and Eve to pussy hats, people have punished, praised, pathologised and politicised vulvas, vaginas, clitorises, and menstruation. In the international bestseller Fruit of Knowledge, celebrated Swedish cartoonist Liv Strmquist traces how different cultures and traditions have shaped women's health and beyond.
Her biting, informed commentary and ponytailed avatar guides the reader from the darkest chapters of history (a clitoridectomy performed on a five-year-old American child as late as 1948) to the lightest (vulvas used as architectural details as a symbol of protection). Like Alison Bechdel and Jacky Fleming, she uses the comics medium to reveal uncomfortable truths about how far we haven't come.
'Just the thing for all the feminists in your life' Observer Books of the Year
'This book made me laugh in public (and also cry a little). It is the book I gave to my younger sister the next time I saw her because of its anger and brilliance and because it is an overwhelming source of knowledge about things we should all already know' Daisy Johnson, author of the Man Booker Prize-shortlisted Everything Under
'There are moments of genuine hilarity, as when Strmquist pictures the dinner party chatter of men living under a matriarchy, and others of fierce anger in this wild, witty and vital book' Observer Books of the Year
BY A REMARKABLE CANADIAN WRITER. NOW A NETFLIX SERIES.
'Anne Shirley is, for me, one of the great characters of literature' LAUREN CHILD
'The grandmother of the YA/adult crossover novel' JEAN HANNAH EDELSTEIN, GUARDIAN
'The dearest, most moving and delightful child since the immortal Alice' MARK TWAIN
'Oh, it seems so wonderful that I'm going to live with you and belong to you. I've never belonged to anybody.'
When a scrawny, freckled girl with bright red hair arrives on Prince Edward Island, Marilla and Matthew Cuthbert are taken by surprise; they'd asked for a quiet boy to help with the farm work at Green Gables. But how can you return a friendless child to a grim orphanage when she tells you her life so far has been a 'perfect graveyard of buried hopes'? And so, the beguiling chatterbox stays. Full of dreams, warmth and spirit, it is not long before Anne Shirley wins their hearts.
This collection of the best children's literature, curated by Virago, will be coveted by children and adults alike. These are timeless tales with beautiful covers, that will be treasured and shared across the generations. Some titles you will already know; some will be new to you, but there are stories for everyone to love, whatever your age. Our list includes Nina Bawden (Carrie's War, The Peppermint Pig), Rumer Godden (The Dark Horse, An Episode of Sparrows), Joan Aiken (The Serial Garden, The Gift Giving), E. Nesbit (The Psammead Trilogy, The Bastable Trilogy, The Railway Children), Frances Hodgson Burnett (The Little Princess, The Secret Garden) and Susan Coolidge (The What Katy Did Trilogy). Discover Virago Children's Classics.
A memoir about motherhood and music from the bestselling author of I KNOW WHY THE CAGED BIRD SINGS
'A brilliant writer, a fierce friend and a truly phenomenal woman' Barack Obama
Maya Angelou's seven volumes of autobiography are a testament to the talents and resilience of this extraordinary writer. Loving the world, she also knows its cruelty. As a black woman she has known discrimination and extreme poverty, but also hope, joy, achievement and celebration.
In this her third marvellous volume, music and her son are the focus of Maya Angelou's life. She is on the edge of a new world: marriage, show business and a triumphant tour of Porgy and Bess.
'She moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds' OPRAH WINFREY
'She was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate' TONI MORRISON
A fun and fearless anthology of feminist tales, by sixteen bestselling, award-winning writers.
'Wonderful . . . all killer, no filler' Red Magazine
'Dazzling stories, as inventive as they are inspiring' Daily Mirror
'Where power and feminist rage meet' Stylist
BANSHEE. DRAGON. TYGRESS. SHE-DEVIL. HUSSY. SIREN. WENCH. HARRIDAN. MUCKRAKER. SPITFIRE. VITUPERATOR. CHURAIL. TERMAGANT. FURY. WARRIOR. VIRAGO.
For centuries past, and all across the world, there are words that have defined and decried us. Words that raise our hackles, fire up our blood; words that tell a story. In this blazing cauldron of a book, sixteen bestselling, award-winning writers have taken up their pens and reclaimed these words, creating an entertaining and irresistible collection of feminist tales for our time.
STORIES BY: Margaret Atwood, Susie Boyt, Eleanor Crewes, Emma Donoghue, Stella Duffy, Linda Grant, Annie Hodson, Claire Kohda, CN Lester, Kirsty Logan, Caroline O'Donoghue, Chibundu Onuzo, Helen Oyeyemi, Rachel Seiffert, Kamila Shamsie, Ali Smith, with an Introduction by Sandi Toksvig
